![]() ![]() “I was like, ‘It’s amazing, but it sounds like it’s already done.'” Not long after, Karl Van Den Bossche, a percussionist who also worked with Sade, came through New York to do sessions with the young man behind the demo: A then-unknown Brooklyn native named Maxwell. “A guy from the record company said, ‘It’s from a new artist, would you meet him?'” Matthewman recalls. ![]() ![]() In the early 1990s, Stuart Matthewman, the writer, producer, and multi-instrumentalist known for his work in Sade, heard a remarkable demo: a ballad that stretched out over nearly seven minutes, making room for daredevil falsetto and a bass line as elegant as a spiral staircase, building to a description of a sexual liaison so ecstatic that it lasts for days and eventually brings police to the door. ![]()
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